Most of the time, I don't choose the colors in a painting, the colors choose me. But in accepting that choice, there is an underlying reason, sometimes visual and other times sensual, why a particular color works with a painting's composition and content.
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HOW DO YOU BEGIN A PAINTING?
This is an even more common question than "how do you know when a painting is finished?" My answer, without trying to circumvent the question, begins before I ever squeeze a tube of paint on my palette. In fact, it begins with the ritual of cleaning up after yesterday's efforts. I like to start each day with a clean slate regardless of whether-or-not I was successful the previous day.
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